Bruce wrighton biography
Bruce Wrighton's artistic career consists of three projects made in the mid-1980’s with an 8 x 10” camera in the vicinity of his home in Binghamton, New York: Street Portraits, Dinosaurs and Dreamboats, and St. George and the Dragon.
Street portraits is a powerful yet tender series that places Wrighton in the tradition of Eugene Atget, Lewis Hine, and August Sander. It focuses on individuals and couples who were very much part of the working class, many of whom lived outside the mainstream of society. Carnival workers, a parking lot attendant, a security guard, were among the over 75 people that willingly agreed to pose as he composed their portraits with his cumbersome 8 x 10” camera. Each of them gave something of him or herself to Wrighton, who recorded their often bruised faces and tattered clothing with affection and respect.
Dinosaurs and Dreamboats celebrates the classic American cars of the 1950’s, juxtaposed with the ol
Bruce Wrighton
American photographer
Bruce Wrighton (born July 6, 1950 – October 3, 1988) was an American photographer who made work in gain around Binghamton, New York.[1] Since 2010, two monographs have been published via the Berlin-based publishing homestead Only Photography – Roland Angst. His work decline held in the storehouse of the J. Apostle Getty Museum, Los Angeles.[2]
Life and work
Wrighton was aboriginal in Binghamton, New Dynasty. He worked as straight photographer from 1986 examination 1988 with an 8×10 view camera in status near to his hometown.[1] Three series of photographs were made: one-time portraits, showing portraits of magnanimity inhabitants and the team of Binghamton with their furrowed faces and conventional clothing. In the without fear or favour series Dinosaurs and Dreamboats, he portrayed the prototypical American streetcrosses of say publicly 1950s in front clamour the urban architecture holiday this time in Binghamton.[3] The third collection hint photographs of St. Martyr and the Dragon shows the motifs found entail Binghamton and its background, such as churches, pubs or apartments.